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Category Archives Amplifiers

1976 Kenwood KA-7300 – Dual Power Darlington Direct Coupled Amplifier

July 17, 2014 · admin

KA-73002

Kenwood (Trio) 1975 KA-7300 – Darlington Direct Coupled Amplifier with Dual Power
2 x 65 Watt RMS at 8 ohms both channels driven from 20Hz – 20 kHz with less than 0.1 distortion.

Original 1975 RRP $400.00USD
Inflation Adjusted RRP 2015 $1,769.00USD

Kenwood Corporation was the brainchild of William Kasuga a first generation Japanese American that saw an opportunity to market Trio Corporation products in America products under a new brand name. In my experience Kenwood’s 1970s gear  demonstrates tremendous build quality, solid performance and stunning designs, and the KA-7300 ticks all three of these boxes.

It’s hard to believe that the features contained in this amplifier would appear in a consumer electronics product. It certainly wouldn’t happen today but in 1975 consumer audio gear was in a different league, back then it was ‘all about the sound….man’.

KA-7300-PS

The KA-7300 Power Supply: Separate transformers for each channel.

Firstly lets start at the foundation of this beastie, it’s power supply. Dual Power was first introduced to the market by Harman Kardon and by the mid-70s it had really caught on, mostly in the high-end components. But different brands implemented it differently. Sansui, Marantz and Pioneer settled for a single large transformer which utilised both the negative and the positive rails to power independent amplifiers.

However in this case Kenwood had followed Harman Kardon’s example and integrated two independent transformers with their own rectifiers and filter capacitors to power each channel. Essentially this amplifier was two ‘mono-block’ amplifiers contained in the one cabinet. 

Only two amplifiers from Kenwood’s range in this period featured this dual power setup, the KA-7300 and the other was their top-of-the-line ‘Model 600’. Interestingly the dual-power supply in their high-end Monster Receiver for 1977, the KR-9600, featured a dual power supply with a single transformer.

Kenwood’s dual power supply was marketed as a solution to the problem of ‘dynamic cross talk’ where the stereo stage (or image) could be disturbed by power struggles between the left and right channels – defeating the whole purpose of stereo. With each amplifier channel drawing upon a completely separate reservoir of energy this problem is overcome.

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Trio’s Darlington Power Pack with large heatsink.

All stages of this amplifier are Direct Coupled, from the input section to the driver and power output stages. This minimises phase distortion, the signal-to-noise ratio is improved and signal attenuation is eliminated resulting in a exceptionally high level of sound quality. The output stage consists of Kenwood’s ‘Darlington Power Modules’ that provides an improved amplification factor, wider frequency response, lower distortion and increased operating life through better heat dissipation. 

The other features I would consider the icing on the cake, and these include:

  • Negative feed back bass and treble tone controls with turnover frequency adjustment.
  • Presence control for the attenuation of frequencies around 800Hz and 3 kHz
  • 32 Position attenuator type volume control.
  • Attenuator to reduce output by 15 or 30 dB
  • Subsonic high and low filters
  • Dubbing facilities for 2 tape recorders.
  • Double protection and delay start circuits.

KA-7300-connectConnections:

  • 3 Pairs of Loudspeakers
  • 2 Tape Deck Inputs
  • 2 Turntable Inputs
  • 2 Auxiliary Inputs
  • 2 Headphone Outputs

KA-7300-diag

Overall this is a superb performing and very musical amplifier that still possesses that warm timbre and with plenty of power. I can happily listen to this amplifier for many hours without fatigue.  

Visually this item is stunning, as is all the Kenwood components from this product line, and is one of my personal favourites. A point to note is that these items are still very serviceable with parts still available.

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Pioneer SA-5500 II Component System

January 27, 2013 · admin

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A complete late 70’s component system!

NICE PIC 5500This gorgeous little Pioneer component system features the SA-5500 II Amplifier, the TX-5500 Tuner and the CT-F500 tape deck, all of which hail from around 1977/78. This combination is in truly excellent condition given its ~35 years of age. These components represented Pioneer’s entry level high-fidelty components.

Pioneer was very much a market leader in the 1970s, setting the trends for the other brands to follow. Pioneer developed this now iconic style of HiFi with its unique narrow profile and optional wood enclosures in the very early 1970s. This design was picked up in very short notice and copied by competitors such as Kenwood, JVC and Sanyo.

The SA-5500 II amplifier produces that warm sound so typical of 1970s Pioneer. While this unit is clearly not in the ‘Beast League’ Pioneer’s 15 Watts RMS rating is very conservative and this amp has plenty of headroom, low down power and enough grunt to have your neighbours complaining.

Pioneer’s tuners from this era a near legendary and the TX2-5500 tuner can reputably grab stations clearly even in your basement, and it looks great lit with a warm golden glow. 

The CT-F 500 Full Auto Stop Cassette Deck incorporates single DC servomotor design, attractive independent volume meters, separate belts and diecast flywheel for smooth constant rotation and supports Fe-Cr and CrO2 tapes and features Dolby noise reduction technology. This unit has had its belts replaced. This deck does appear to have a slightly different finish on it’s brushed aluminium.

Together the entire combination looks stunning and compliments each other perfectly, and is in excellent condition with only minimal and minor marks from normal wear. 

iPod/iPhone/iPad and Bluetooth connectivity can be added to this system to bring its vintage quality into the new millennium.

SA5500II-IMThe SA-5500II Amplifier
Specifications:

  • Power output: 15 Watts RMS per channel into 8 ohms
  • Frequency response: 20Hz to 20kHz
  • Total harmonic distortion: 0.5%
  • Input sensitivity: 2.5mV (MM), 150mV (line)
  • Signal to noise ratio: 71dB (MM), 87dB (line)
  • Output: 150mV (line), 30mV (DIN)
  • Semiconductors: 2 x IC, 7 x transistors, 7 x diodes
  • Dimensions: 380 x 124 x 269mm
  • Weight: 5.2kg
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TX2-5500-IM
The TX2-5500 Tuner 

Specifications:

 

  • FM Usable Sensitivity: Mono; 10.7dBf (1.9uV)
  • FM S/N Ratio (at 65dBf): 72dB (mono), 68dB (stereo)
  • FM Capture Ratio: 1.0dB
  • FM Alternate Channel Selectivity: 60dB
  • Stereo Separation: 35dB (1kHz), 30dB (30-15,000Hz)
  • Dimensions: 14 31/32″ (W) X 4 7/8″ (H) X 10 19/32″ (D)
  • Weight: 7lbs 11oz

 

 

 

CT-F 500The CT-F 500 Full Auto Stop Cassette Deck
Specifications:

  • Heads: 1 x Hard Permalloy (record/playback), 1 x Ferrite (erase)
  • Frequency response: 40Hz to 15000Hz (Cr02 tape)
  • Signal to noise ratio: 54dB (dolby off), 64dB (dolby on)
  • Wow and flutter: 0.05% wrms
  • Input sensitivity: 0.3mV (mic), 65mV (line), 9mV (DIN)
  • Output level: 700mV (line, DIN), 100mV (headphones)
  • Drive system: 1 x dc servo motor
  • Dimensions: 380 x 140 x 261mm
  • Weight: 5kg

 

 

1975-77 Kenwood KA-3500 Component Amplifier

January 10, 2013 · admin

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Kenwood (Trio) produced some amazing amplifiers over the course of the 1970s and the 1975-77 KA series of amplifiers are a superb examples of Kenwood at its finest, combining stunning brushed aluminium minimalist styling with solid performance.

Whats in a Model Number? It’s funny how a model number can give you an impression about a component, and this one leads you to think that this was a low end model. However as you can see by this unit’s original price tag and it’s specifications (and if you actually auditioned it) you would find it to be anything but!

This unit was positioned as a mid-level component amplifier in Kenwood’s 1975-1977 product lineup. The KA-3500 was in direct competition with the likes of  Pioneer’s SA-7500 which was also powered at 40 Watts RMS per channel. 

This is one of the sweetest sounding little amplifiers I have listened to, with plenty of detail and enough power to be the life of the party. It simply puts a big smile on my face every time I listen to it!

Its features includes inputs for a Turntable, Tuner, two Tape Deck’s and an Auxiliary, with dubbing support provided. IMHO this is one of best sounding amps in its price range, and performs even well beyond it.

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Aesthetically I think this is a beautifully presented component. Apple Corporation could learn a thing or two from the 1975-77 design team at Kenwood responsible for the KA series that sported brushed aluminium fascia and minimalist design.

 

Inspired by another vintage audio enthusiast I decided to experiment with some colour and refinished this Amplifier and Tuner with a professional powder-coat in “Firebox Red”, I think the end result is simply stunning!

 

 

KA-3500 Specifications

ka-smspecs

 


KT-5500 Specifications

  • kt5500Sensitivity at 30 dB quieting, 1,9 μV
  • Alternate channel selectivity 60 dB
  • Stereo separation 45 dB
  • 3-gang phase linear tuning capacitor with FETs for high sensitivity
  • 2-gang variable capacitor for AM
  • 4-element phase-linear ceramic filter improves tone quality.
  • PLL in FM Multiplex for improved stereo separation
  • Accurate 2-meter tuning with signal strength and center-channel tuning meters.
  • Deluxe dial with easy to read linear tuning scale with 200 kHz calibrations for FM
  • FM Auto Muting
  • Optional CB-3 walnut veneer cabinet, B-5 walnut veneer side panels or D-5 carrying handles available.

 

One reviewer:

“Wow is it powerful…I wanted to say every time I turn this system on I still get goose bumps…My wife even love’s it and she has seen a lot of systems go thru our house” http://fullrangedriver.com/forum/viewtopic.php?id=803

 

Cambridge Audio P140X Pre/Main Amp

January 10, 2013 · admin

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Cambridge Audio is an award winning true High Fidelity manufacturer of audio equipment with a reputation for innovation and high quality products. Of course if your an audiophile then you know this already!

Founded in 1968 Cambridge Audio quickly made an impact on the market with its cutting-edge technical innovations and unique aesthetics. This is a rare and stunning example of their slim-line designs from the early 1970’s. You will not see a model like this on ebay any time soon!

Good design is an art form and when done right the result should be timeless. And P140X certainly has that,  it looks as stunning today as it must have in the early 1970s. If you saw this amplifier in a department store today you would think it a new model just released.

p140x-strip2As for official specs, or any other information on this unit, I have not been able to find anything! So lets start with what is observable.

The unit has a gun-metal grey brushed aluminium front with all aluminium controls. It has wood panels for sides that are not veneered but appear to be solid pieces of timber. (I am not a tree expert so I know not what tree it was from). It’s looks are elegant and timeless and IMO this unit could just have easily been released in 2013 instead of the 1960s or 1970s.

Inside the unit is a large toroidal transformer which gives the unit a fair bit of weight, along with a massive heat sink that goes the entire underside of the unit.

Speculating I would guess the unit produces around 40 watts RMS. Its sound is precise, punchy detailed and controlled even at high volume, in short this is a precision instrument.

Cosmetically this unit has some marks (typical of most vintage units of similar age) with one deep mark on one of the switches as seen in the photograph in the banner. However none of these blemishes are visible from listening distance.

[one_half]On the front:

  • The unit has four inputs labelled pickup1, pickup2, radio and aux.
  • It has a toggle switch for stereo and mono.
  • It has a toggle switch labelled tape monitor with on/off/mute
  • Treble and Bass controls
  • Hi & Lo Filter toggle switch
  • 3.5mm Headphone Jack
  • Volume & On/Off Switch

 

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On the back:

  • Sockets for both alternating and direct current and a main fuse.
  • In the Power Amp Section: Banana Jack for Speaker Connection and a Fuse for Left and Right.
  • Banana Jack for Ground
  • In the Tape Monitor Section it has a dial marked “adjust level” RCA stereo input and output and 2 DIN inputs with one labelled decoder.
  • In the section labelled “Pre-Amp Inputs” we have RCA stereo inputs for PU1, PU2, AUX and RADIO.
  • And a label that reads “Made in England by Cambridge Audio Ltd St Ives XXXXXXXXXXXX.

 

The Akai AA-5000 – Hi-Fidelity for the Original Hipster – 1966 to 1969

January 10, 2013 · admin

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So what did the hipster-about-town listen to their favourite grooves on in the mid 1960’s? Well if it was an Akai amplifier it almost certainly was the AA-5000, and especially so if they were into Reel-to-Reel.

1akaireeltoreelrange19s7ym_2From the decade that birthed component HiFi and witnessed the transition from the tube to the transistor these units were manufactured between 1966 to 1969 and were Akai’s mainstay amplifier for this period. The more commonly found AA-5000S was a later version that extended the product lifecycle into the mid 1970s. Featuring an enormous (for the 1960s) 110W of Music Power and incorporating channel independent bass and treble controls, high and low filters as well as some advanced alien hi-tech thing called a ‘Electronics Protection Circuit’ to protect those precious transistors fresh from the Roswell crash in New Mexico……Yep! These units are definitely groovy in far-out happening ways! 

Many believe transistors appeared on the market a little too quickly but German research into semiconductors had been going on many years before the Roswell Crash.

Many believe transistors appeared on the market a little too quickly to be of Earthly origin but German research into semiconductors had been going on for decades before the Roswell Crash.

As can be seen this fine specimen is in absolutely stunning condition and possibly one of the best example of one of these models available today. Even the power light globe appears to be original! There are some very light marks on the lid of the unit consistent with light use and a tiny piece of veneer is missing from the front right, but as can been seen in the above pictures these are hardly noticeable.

The sound is bright with surprising punch yet still retains that mellow valve like timbre with a surprising amount of power for 1960s amplifier. While it won’t blow your ceiling off like a 1970s Monster, matched with the right pair of speakers this unit performs beautifully.

I have noticed that this model is very sensitive to speaker cable lengths and quality, so if you do get one make sure you get some high-quality speaker cables of equal lengths.

 

Features:

  • solid_state_stereo_pre_main_1158025Silicon Power Transistors for the final stage obtainable highest performance and temperature characteristics
  • E.P.C (Electronics Protection Circuit), protecting the power transistors from damage in case of short circuit at the output terminals
  • Completely O.T.L. System Distortion Free well dampened reproduction
  • 110W Music Power
  • Direct reproduction from the tape head by equaliser for head
  • DIN Jack
  • Headphone Jack
  • Independent filters for high and low
  • Independent tone control for right and left speakers
  • Dimensions: 17″ (W) x 5-3/8″ (H) x 10-5/8″ (D)
  • Weight: 17.6 lbs

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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